- #ADD LR ENFUSE REGISTRATION FULL#
- #ADD LR ENFUSE REGISTRATION SOFTWARE#
- #ADD LR ENFUSE REGISTRATION ISO#
The plugin will auto align the images to ensure everything merges properly and then allows you to weight the importance of processing variables – exposure, saturation, and contrast. This program works best after you’ve applied your basic global adjustments to the images you are working with and then begin the process of merging the multiple exposures together.
#ADD LR ENFUSE REGISTRATION SOFTWARE#
This software isn’t a true high dynamic range program as it does not tone map the images before combining them. Lightroom Enfuse is a donation-ware plugin that allows you to merge multiple images together through Lightroom without the need of Photoshop or any additional software. Some require more in depth techniques and time investment, but as a tradeoff offer a better final result versus some of the “quicker” options offered by software generated blending. This is not an inclusive list of options, but this will give you an idea of options out there for post processing. So now that we’ve addressed the steps in compensating for increased dynamic range, where do we go from here? There are various methods of approach for bringing multiple images together to create your envisioned final image. Using multiple exposures through bracketing allows the photographer to compensate for proper exposure. DSLR cameras, depending on format, can have difficult times recovering the information in the shadows or highlights without degradation to the file like banding or increased noise. Using multiple exposures gives you a much wider dynamic range of information to incorporate into an image, ensuring detail from the darkest to the lightest pixels. One of the biggest challenges with camera sensors is the ability to properly recover details at either end of the histogram. Depending on the sensitivity of the camera sensor, many photographers would have to use multiple exposures to do so.
#ADD LR ENFUSE REGISTRATION ISO#
With today’s camera advancements we are just starting to approach the ability to record the same dynamic range that the human eye can register (the human eye can register around 14 stops, which the Nikon D810 has the ability to meet 14 stops at ISO 32). As much as this argument has been weighed I think from my perspective is the direction of the image lies in the hands of the artist. There are those that consider this an impure form of photography and that it’s no longer photography and just digital art. Maybe it was all of those horrendous creations that ensued with the release of Photomatix in the early days or the built in HDR functions of some cameras, but it seems there remains a fear or distaste of the image being ‘fake’ or ‘not real’.
![add lr enfuse registration add lr enfuse registration](https://advancedphototech.files.wordpress.com/2010/04/screen-shot-2010-04-22-at-09-36-54.jpg)
Moving into the idea of taking multiple images to create a high dynamic range photo, or as it has been known more so in the past just as ‘HDR’ scares people.
![add lr enfuse registration add lr enfuse registration](http://regex.info/i/lr/PayPalReceipt.png)
With the expanding development of better low light sensitivity and higher dynamic range sensors, the technology has begun to eliminate the need of filters like grad ND’s. What often took a grad ND filter or 2 images blended together a few years ago can be obtained in the editing of a single file.
![add lr enfuse registration add lr enfuse registration](https://www.tipsforrealestatephotography.com/wp-content/uploads/2014/01/Real-Estate-Photography-Editing-With-Lightroom-Enfuse-HDR.png)
These camera offerings are recording more dynamic range in a single image than ever before, and now increased sensitivity is even making its way to APS-C sensors.
#ADD LR ENFUSE REGISTRATION FULL#
In today’s era of digital cameras, sensor technology is progressing, especially with the big full frame sensors in the Nikon and Sony cameras. Getting it right in camera these days is getting much, much easier. So now you might be saying why even put forth the time and effort into all of this? These are completely valid reasons and points that should be kept in mind as you move forward with advanced processing techniques. Others (including myself at one point during my photographic evolution) do not want to spend hours in front of a computer with complex editing techniques that can be tedious and sometimes appear to overtake the simple idea of creating an image. Many photographers put forth a lot of effort to ensure they’re ‘getting it right in camera, so minimal work has to be applied in post-production. Blue hour captured using multiple exposures for the mountains, sky, and foreground.